Pouring Watercolor

I don't usually include my failures on my blog, but these failures were so much fun to do that I decided to share them.

Last spring my sis and I took a collage workshop right next door to where Jean Grastorf was doing a pouring workshop. We peeked in a few times and everyone was having so much fun that we decided we had to try it. Last week we both did a few small "pours". Mine were on 7 1/2 x 11 Arches, kept small so that we could easily pour into a foil roasting pan. The colors were Winsor Red, Winsor Blue and Winsor Yellow.

This technique involves a lot of masking, something I usually avoid doing. It's supposed to produce really vibrant, glowing colors. Well, my first pour created a really pretty mixture, but as I masked and poured subsequent layers I ended up with DULL. In my estimation, my colors are dull, my whites too white and blobby, my lights are too dark and my darks are too light, even after several attempts to darken. A lot of work for not so satisfactory results. I suppose I could add brushwork to these and improve them, but I think I will save them as learning aides for my next try. Yes, I will try it again.

I've been tagged again!

Sandy Maudlin http://www.sandymaudlin.blogspot.com/ tagged me this time. Here are 5 more things about me that you probably don't know:

1. I am the oldest of 5 children and was born while my dad was in the army waiting for things to wind down at the end of WWII.
2. I spent 12 years in Catholic school.
3. My first job was as a dictaphone typist for the U.S. Civil Service Commission. If you were investigated for a job in any government agency between 1962 and 1965 I may have typed up the results of your investigation.
4. I have three grown children and will soon be a grandmother of 10 - yes ten!!!
5. My happiest memories from childhood involve being with my family at the beach - usually Jones Beach on Long Island, NY. I can still smell the salt water, feel the sand between my toes, and I loved jumping off the wall at the far end of the beach.

The people I will tag this time are:
http://www.ginahallstudios.blogspot.com/ - Gina is in the process of painting a bazillion dog portraits for Christmas gifts but I hope she will have time to respond.

http://www.maineart.blogspot.com/ - I've loved Laura's work ever since I found her on Ebay a number of years ago. She paints watercolors and oils of Maine - one of my favorite places.

http://www.watercolorist.blogspot.com/ - you may have seen Jane Freeman's work in the Splash books. She has recently published an instructional book of her own through North Light, and is working on an amazing painting of glass crystal and peppers. Hope you have time to play too, Janie.

http://www.onewingoriginalwatercolors.blogspot.com - Tracy just started her blog a few days ago, so I'm pretty sure she hasn't been tagged yet.

http://stopanddrawtheroses.blogspot.com/ - I met Stacy (Fireman's Kid) while participating in the Drawing 101 class on WetCanvas.

If anyone is interested, check the archives for my May post, or just scroll down a little ways, and you can see the stuff I posted and the people I tagged last time.

Happy Birthday, Joan!

It's my sister's birthday today. This is the image that I used on her birthday card. We frequently paint together, and we both recently purchased Daniel Smith's Toucan Triad - Quinacridone gold deep, Pyrrol Orange, and Ultramarine Turquoise. Those colors were perfect for this cactus. (Reference photo provided by Gina Hall)

"Birthday Cactus" 5 x 7 on Arches Cold Press.

Les Belles Artistes

This is a photo of myself and a group of artists that I met more than 10 years ago while taking watercolor classes together. We have stayed in touch and some of us have taken workshops together. Earlier this year we decided to exhibit our art as a group. One of our members, Monique, named us "Les Belles Artistes". Recently we hung our first show at the Gallery of the Franklin Lakes Presbyterian Church in Franklin Lakes, New Jersey. I decided that it would be fun to make a blog just for our group, and you can find it at www.lesbellesartistes.blogspot.com.

Lots of Leaves

I painted this "negatively" by painting around each leaf and then blending it out, putting one leaf behind another until the paper was filled. Some of these are from stencils that I made a few years back to paint t-shirts, and some of them are from new leaves I found in the driveway.

Sunflowers Win Award at NEWS Show

This painting was posted here previously but today I found out that it won an award at the North East Watercolor Society Members Show. It was a surprise, as they evidently do not let the award winners know ahead of time, and there were no awards attached to the paintings or listed in the catalog. I found out with everyone else when they announced the winners at the awards ceremony. Quite exciting!

Wave Watching

Don't you just love watching waves! I must have taken hundreds of photos of waves at the Jersey Shore, in Hawaii, and in Maine. This painting was done on Yupo (that plastic "paper") from one of my Hawaii photos. Yupo is great for painting water - it runs and puddles all over the place, but you can wipe out the whites if you need to. And you get neat puddling effects that you can't predict which makes it really exciting.

Approximately 10x14 on Yupo

Myrtle Beach Palms

Recently I sold a small palm tree painting and wanted to do another a little larger. This is a half sheet watercolor (15 x 22) of some trees I saw while taking a workshop in Myrtle Beach last spring. I focused in close and left out the large hotel in the background.

White Rose Travels to India

This little painting travelled to India last week as part of a swap with an international group of watercolor artists. I have previously sent paintings to the Philippines and to England, as well as several states in the USA, and have received paintings from some interesting places as well. My latest swap painting came to me from Steve Sorrell in Tasmania.

I've Been Tagged

I've been tagged by my sister Joan. http://watercolorsbyjoan.blogspot.com
If I understand the rules correctly, I now have to tell 7 things about myself that no one knows (well, my sis probably knows all of them), and then tag 7 other people. Let's see if I can find 7 people I know who haven't been tagged before.
About me:

1. I was named Michelle after my father, Michael, and got the nickname "Mickey" from one of my father's boyhood friends. My brother Joe was named after my Mom. We sometimes do things a little backwards in my family.

2. I was exposed to art at a young age when my aunt took me to the art museums in NYC on my birthday outings. I knew right away that I wanted to be an artist when I grew up.

3. When I was about 10, I accidentally stuck my hand into a wet oil painting belonging to an artist who was next to me on the Fire Island ferry. I was trying to keep from falling when the ferry lurched.

4. I wanted to play for the Yankees when I grew up (in addition to being an artist, of course). The closest I came was a mom's softball team when my kids were little.

5. My favorite foods are lobster and ice cream (not together).

6. I met my husband on a trip to a dude ranch with a church youth group. I was from New York and he was from Pennsylvania, and we met in Massachusetts.

7. A couple of years ago I joined a beginners senior tap dance class and have performed in two of their annual shows.

The 7 people I tagged are:

Rhonda Carpenter - http://rhcarpenter.blogspot.com
Susan Roper - http://wcbysusanroper.blogspot.com
Cia Price - http://artmaker-cecilia-price.blogspot.com
Jane James - http://janefranart.blogspot.com
Dabs - http://artbydabs.blogspot.com
Marilyn Fuerstenberg - http://marilynfuerstenberg.blogspot.com
Elizabeth McRorie - http://emcrorie.blogspot.com

African Violets

I started these African violets from life at my friend's house the week before I left for the workshop. I didn't finish it, and luckily the plant was still flowering so I finished it up today. Watercolor 11 x 15 on Arches.

Sunflowers

I started this painting over a month ago, and I finished it today. We do not get many sunflowers in suburban New Jersey, so when I saw these last fall I made sure to get a photo. This is 11 x 15 watercolor on Arches.

Two more small collages

Here are two more small abstract collages that I did to show my Thursday painting group the techniques we learned in Jerry Brommer's workshop. I hope to do one or two larger ones with them this week. I was happy with the purple and yellow radial design, but it took some work to resolve the blue collage. It didn't come together until I glazed some Winsor blue over it to unify, and added the whites with gouache.

Workshop Days 4 and 5

On the 4th and 5th days of the workshop we did landscapes. As I watched Jerry do his demo, I decided on a photo I had of the gazebo at Laguna Beach, California. There were no flowers on the hill in the photo, but I knew that flowers grew there in the spring, so I put a lot of color into my collage. Jerry said it looked more like Tahiti, so I guess I will have to call it something like "Tropical Surprise". On Friday after our last class we had a "gallery night" where all the classes displayed their work for the week. I truly enjoyed this workshop, or as I call it - my trip to art camp.

Workshop Day 3 - Flowers

On Day 3 Mr. Brommer, "Jerry", had us do flower collages. Being a flower painter, I was really looking forward to these. It took me a while to get the hang of it - they were harder to do than the abstracts, because we were just trying for the "essence" of flowers. I liked my third attempt best.

Workshop Day 2

The second day of the workshop we did larger abstracts on 11 x 11 inch paper. My first design was a horizontal one with a cool (blue) dominance and warm accents. The second is a "box in a box" design with a warm dominance and cool accents. It was fun to see how many different collages the class managed to come up with for this assignment. We spent many nights after class staining papers for the next day.

Stained Paper Collages - Gerald Brommer Workshop

Last week my sister and I took a "Stained Paper Collage" workshop with Gerald Brommer. I have been a fan of his work with both watercolor and collage for many years. During the 5 day workshop we learned to stain paper - lots and lots of paper. And we learned about several different designs and how to utilize them in both abstract and representational work. These three small abstracts were done on 7 1/2 x 7 1/2 Arches rough with watercolor stained washi. The designs used were a "bridge", a "T" and a "cruciform".

Snow and Fog

I took the reference photo for this painting a year ago at Ramapo Reservation, near my home. It was still snowing slightly and it was sort of foggy and soft. I loved the way the distant trees and mountains looked, and I think I nailed them pretty well in my watercolor. The foreground evergreens gave me a little trouble, since I found it difficult to put the snow on the branches without making it look too sharp and defined. I originally masked it, which was a mistake, and so I had to scrub them to soften, and then add some midtones and darks trying to keep it somewhat indistinct. I think I succeeded somewhat - not what I originally had in mind, but not bad.

Pemaquid Point

A few weeks ago I painted a smaller version of this scene from Pemaquid Point, Maine on yupo. This one is on Arches 140 lb. rough, and is a half sheet. Pemaquid Lighthouse and the rocks that surround it are my favorite landscape subjects. I was probably standing with my back to the lighthouse looking down to the left when I took the reference photo for this painting. I also love to climb down on the rocks, find a comfy place to sit, and do a watercolor sketch in my journal. It's getting harder and harder for this out-of-shape, almost 62 year old to get down there and back up again though.

Something Different Again

This is a "posterized" portrait of my grandson David, which I did by following a tutorial on the WetCanvas website. I had been admiring the posterized portraits done by a couple of WetCanvas regulars, and when the tutorial was posted, I decided to follow along. It was interesting to see how getting the shapes and values right made an accurate likeness.

Something different

This first is a stained paper collage - that is, I took several kinds of rice papers and stained them with watercolor in yellows, oranges, reds, purples, blues and greens, and then tore them and adhered them to watercolor paper. I did have a loose drawing as a guide. There are some gold "strings" in the vase and the background that do not show in this photo. I can see great possibilities with this technique.




It's been a week for doing something different, and yesterday I decided to play with a piece of Yupo, that interesting plastic/paper. This is "Pemaquid Point" approximately 10 x 12 on Yupo with watercolor. The watercolor floats around on this paper for quite a while after you put it down, making all sorts of surprise textures. I also spattered some clear water on the rocks and grass to help it along.

God Bless Us All This Christmas

This is the painting that I used for my Christmas card this year. It shows 6 of my grandchildren last January acting out the Nativity scene right after the youngest was born. It was a challenge trying to get a likeness for each of the kids, especially for Joey, the little blond guy on the right who refused to be in the reference photo. The original painting is 11 x 15.

White Poinsettia

I do a few poinsettia paintings every year around this time. It gives me that good old Christmassy feeling. This one is 5 x 7 and was painted for my swap partner - I belong to a group of watercolorists who trade small paintings a few times a year. I enjoyed "finding" colors in this all white flower.

Painting With Grandma

All of my grandchildren love to paint. This Thanksgiving my littlest grandson, two year old Brandon, painted this masterpiece for me. It took him a while to learn not to rinse all the paint off his brush before putting it to paper. My job was to get more paper and more water when needed, and to tell the budding artist how terrific his paintings were.

My Latest Dahlia

This is my latest floral - another dahlia. They are a challenge to draw and paint with all those petals, but I love the shadow and light patterns, and all the "colors" I found in this essentially white flower. The size is 15"x15".

Monhegan Lighthouse

I painted "Monhegan Lighthouse" a year after I took the photo. I "collect" lighthouses. I've loved them ever since I can remember. I found this sentinel on my first trip to Monhegan Island, sometimes known as "the artists' island", since everywhere you look you will find someone painting, and the tiny island is home to a good many galleries. I enjoyed hiking to various cliffs and doing small paintings while I was there, and have a nice collection of photos for future reference.

Watercolor Shows

This is the time of year when many national and regional art societies are having their annual shows. My painting "Dahlia", 22x30, is currently showing at the NorthEast Watercolor Society's annual members juried show in Middletown, NY. I love participating in these shows, as well as meeting the other artists and seeing their work.

More ACEO's

Last night I was painting some little floral ACEO's (2.5 x 3.5 art collectable cards) in watercolor when I got the idea to try collaging a few. I did these with scraps from my mulberry and rice paper stashes. I put them up on eBay. It will be interesting to see if any of them get bids. I think they turned out rather well.

White Irises

I painted this today for a project in WatercolorWorkshop, a Yahoo group for watercolor artists. The object of this project was to paint something white without using white paint, and to see how many colors could be found in a "white" object. For my irises I used cobalt blue, permanent rose, burnt sienna, permanent yellow, and a little scarlet lake in the centers.

Lighthouse Collage

I've been reading the collage books written by Gerald Brommer. I like the way he sometimes leaves some vertical whites and adds linework to make his subjects a little abstract. This is my original painting of the famous Pemaquid Lighthouse, done with various types of rice paper, based on the methods suggested in Brommer's book "Watercolor and Collage Workshop".

Port Clyde House - from Camden Workshop

After not posting here since Christmas, I have managed to put up three paintings in one day. I started this painting in August at a workshop in Camden, Maine. It was my second painting of the day and I had only managed to get in the drawing, the sky and a few green washes before it was time to quit for the day. The barely started painting lay around in my studio for months before I picked it up last month and decided to finish it. "Port Clyde House" measures 11x15.

Abstract Rocks

My Thursday painting buddies and I decided to have some fun doing abstracts. This is what I came up with after wetting the paper and dropping in quinacridone gold, permanent rose, and Winsor blue. I laid some Saran Wrap on the initial wash to texture the paper. When it dried I "found" rocks. I have to say that I have not been very successful with my previous attempts at abstracts, and I was surprised and pleased to watch this one almost paint itself.

The Red Amaryllis

I started "Red Amaryllis" (15x22) in January, but got sidetracked and just finished it recently. I used just about every red I had on my palette, plus a couple of yellows. This was the first year in a long time that I did not have a new amaryllis for Christmas, so I had to make to with one of the many photos I have taken of them thru the years - easier to paint this way, but not nearly as much fun.

Merry Christmas

This is the image I used for my Christmas card this year. I can't believe how fast the Christmas season arrives each year and this one is no exception. I've been in a painting slump for several weeks due to Thanksgiving/Christmas preparations as well as the usual seasonal cold/flu thing, but I'm looking forward to a new and exciting year of painting.

The Pet Project

This month's project for WatercolorWorkshop, one of my favorite groups, is pets. I found a terrific cat photo on WetCanvas (hope it's okay to mix groups) and painted this fluffy critter for my entry. It was the first time I've painted "fur". I was drawn to the softness of the cat, and the bright blue eyes. I really enjoyed this one. P.S. The reference photo for this watercolor was taken by Sandy Derry. You can view her artwork at www.countrycottagestudio.homestead.com

Curtis Island Lighthouse - Camden workshop painting

This is one of the paintings I started in the Camden watercolor workshop with Joel Popadics. We had a good view of the lighthouse and I'm pretty pleased with my painting, with the exception of the size of the schooner. I added it from memory because I thought it would be a nice touch, but in reality, a schooner would have been much larger. I may have to call this one "Lighthouse With Toy Schooner".

Drawing

Okay, so it's not watercolor. I just had to share this one. A good drawing is the foundation for a good watercolor. I was not happy with my drawing skills, so when I saw an online drawing class starting on WetCanvas, (www.wetcanvas.com) I decided to try it. Our first assignment was to draw something that we felt was too difficult for us. We are now up to lesson #26, and in this lesson we re-visited our first drawing and did it again. This is the drawing I did today of my grandson, Matthew, at about a year and a half old. Forgive me if I don't post the "before" picture. I learned a lot in these 26 lessons about being patient, really looking, and starting very lightly and progressing until I was happy with the drawing, and then pushing the darks. I'm quite happy with this one and discovered that I like pencil drawing not just as a preparation for watercolor, but as a medium of its own.

Camden Workshop

I recently attended an outdoor workshop in Camden, Maine. We learned to paint harbors, schooners, sailboats, fog (lots of fog), and lighthouses. I also learned that I need to consolidate my painting gear more as it was tough lugging it all around to the various painting destinations. I highly recommend an outdoor workshop to anyone who wants to paint landscapes/seascapes in watercolor. Here are some photos from the workshop. The workshop was given by Joel Popadics (www.watercolorpop.com), shown giving a demo at left. That's my painting of a schooner in the second photo, and that's me in the red shirt in the middle one, painting sailboats with Mt. Battie in the distance. During the 5 day workshop I started 10 paintings, which I will try to finish at home from notes and photos. I will post some of them here when they are completed.